Struktur und Wirkung in der Performance-Kunst

Struktur und Wirkung in der Performance-Kunst als Druckversion (PDF mit Fn. 11.2 MB)


Struktur und Wirkung in der Performance-Kunst

in: Grenzen der Karthasis in den modernen Künsten. Transformationen des aristotelischen Modells seit Bernays, Nietzsche und Freud, hrsg. von Martin Vöhler und Dirck Linck, Berlin/New York 2009, S. 199-230.

Kapitel I: Eine Kunst in ihrer Zeit

Kapitel II: Performance als künstlerische Form

Kapitel IIa: Zwischen bildender Kunst und Theater

Kapitel IIb: Der Betrachterbezug von Performances

Kapitel IIc: Performer versus Schauspieler

Kapitel IId: Das Ende einer Performance

Kapitel III: Katharsis und Kritik

Kapitel IV: Resümee

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