{"id":83,"date":"2007-06-04T12:12:03","date_gmt":"2007-06-04T10:12:03","guid":{"rendered":"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-thirty-are-better-than-one\/"},"modified":"2024-11-18T19:16:26","modified_gmt":"2024-11-18T18:16:26","slug":"andy-warhol-thirty-are-better-than-one","status":"publish","type":"post","link":"https:\/\/michaelluethy.de\/scripts\/andy-warhol-thirty-are-better-than-one\/","title":{"rendered":"Andy Warhol. Thirty Are Better Than One"},"content":{"rendered":"<p align=\"right\"><a href=\"http:\/\/www.michaelluethy.de\/andy-warhol-thirty-are-better-than-one.pdf\"><font size=\"1\" face=\"verdana\">Thirty Are Better Than One als Druckversion (PDF mit Abb. u. Fn. 6.077 KB)<\/font><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"20\" alt=\"spacer\" src=\"http:\/\/www.michaelluethy.de\/img\/pixel.gif\"><\/p>\n<h2>Andy Warhol. Thirty Are Better Than One<\/h2>\n<p><small>Frankfurt\/M. 1995 (Reihe Kunst-Monographien d. Insel-Verlags)<\/small><\/p>\n<p><strong>Inhalt:<\/strong><\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-bedeutung-werkanalyse\/\">Einleitung<\/a><\/h4>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-leonardo-mona-lisa-kennedy-kalter-krieg\/\">Der Anla\u00df<\/a><\/h4>\n<p>Mona Lisas Reise &#8211; Kalter Krieg &#8211; Ein janusk\u00f6pfiger Ruhm<\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-paraphrase-malewitsch-duchamp-werbung\/\">Die Vorl\u00e4ufer<\/a><\/h4>\n<p>Die Rezeption der Mona Lisa &#8211; Warhols Meta-Paraphrase<\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-star-starportrait-marilyn-monroe\/\">Die Einordnung<\/a><\/h4>\n<p>Der Star &#8211; Das Beispiel der Marilyns &#8211; Mona Lisa als Star<\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-benjamin-reproduzierbarkeit-aura-last-supper\/\">Die reproduzierte Mona Lisa<\/a><\/h4>\n<p>Walter Benjamins These vom Verlust der Aura &#8211; Die Verschlingung von Original und Reproduktion &#8211; Eine zweite Leonardo-Paraphrase<\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-kombinatorik-serialitaet-kennedy-attentat\/\">Pictorial Design<\/a><\/h4>\n<p>Entkontextualisierung &#8211; Kombinatorik &#8211; Serialit\u00e4t &#8211; Sixteen Jackies<\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/andy-warhol-pop-art-fotografie-massenmedien\/\">Das Dilemma des Malens<\/a><\/h4>\n<h4>Anmerkungen (nur in der PDF-Druckversion)<\/h4>\n<h4>Lebensdaten (nur in der PDF-Druckversion)<\/h4>\n<h4>Ausgew\u00e4hlte Literatur (nur in der PDF-Druckversion)<\/h4>\n<h4>Abbildungsverzeichnis (nur in der PDF-Druckversion)<\/h4>\n<h4>Abbildungsnachweis (nur in der PDF-Druckversion)<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Thirty Are Better Than One als Druckversion (PDF mit Abb. u. Fn. 6.077 KB) Andy Warhol. Thirty Are Better Than One Frankfurt\/M. 1995 (Reihe Kunst-Monographien d. Insel-Verlags) Inhalt: Einleitung Der Anla\u00df Mona Lisas Reise &#8211; Kalter Krieg &#8211; Ein janusk\u00f6pfiger Ruhm Die Vorl\u00e4ufer Die Rezeption der Mona Lisa &#8211; Warhols Meta-Paraphrase Die Einordnung Der Star &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/michaelluethy.de\/scripts\/andy-warhol-thirty-are-better-than-one\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eAndy Warhol. Thirty Are Better Than One\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-83","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts\/83","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/comments?post=83"}],"version-history":[{"count":1,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts\/83\/revisions"}],"predecessor-version":[{"id":1373,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts\/83\/revisions\/1373"}],"wp:attachment":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/media?parent=83"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/categories?post=83"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/tags?post=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}