{"id":474,"date":"2009-08-10T14:06:15","date_gmt":"2009-08-10T12:06:15","guid":{"rendered":"http:\/\/www.michaelluethy.de\/scripts\/?p=474"},"modified":"2009-08-10T14:06:15","modified_gmt":"2009-08-10T12:06:15","slug":"andy-warhol-disaster-diptychon","status":"publish","type":"post","link":"https:\/\/michaelluethy.de\/scripts\/andy-warhol-disaster-diptychon\/","title":{"rendered":"Andy Warhol Disaster-Diptychon"},"content":{"rendered":"<p align=\"right\"><a href=\"http:\/\/www.michaelluethy.de\/andy-warhol-disaster-diptychen.pdf\"><font size=\"1\" face=\"verdana\">Warhols Disaster-Diptychen als Druckversion (PDF mit Abb. u. Fn. 519 KB)<\/font><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"10\" height=\"20\" alt=\"spacer\" src=\"http:\/\/www.michaelluethy.de\/img\/pixel.gif\" \/><\/p>\n<h2>Warhols <em>Disaster-<\/em>Diptychen: Das Dementi als Bildform<\/h2>\n<p><small>in: Der dementierte Gegenstand. Artefaktskepsis der russischen Avantgarde zwischen Abstraktion und Dinglichkeit, hrsg. von Anke Hennig und Georg Witte (Wiener Slawistischer Almanach, Sonderband Nr. 71), Wien\/M\u00fcnchen 2008, S. 475-507.<\/small><\/p>\n<p><strong>Inhalt:<\/strong><\/p>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/warhol-disaster-diptychon-gegenstaendlichkeit-ungegenstaendlichkeit\/\/\">Einleitung<\/a><\/h4>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/warhol-todesserie-electric-chair-car-crash\/\">1. Death in America<\/a><\/h4>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/warhol-pressefotografie-siebdruck-serialitaet\/\">2. Von der Faktografie zur Faktur<\/a><\/h4>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/warhol-leere-leinwand-figur-grund-monochromie\/\">3. Blanks<\/a><\/h4>\n<h4><a href=\"http:\/\/www.michaelluethy.de\/scripts\/warhol-tod-newman-rodtschenko-philosophy\/\">4. Das Dementi als Bildform<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Warhols Disaster-Diptychen als Druckversion (PDF mit Abb. u. Fn. 519 KB) Warhols Disaster-Diptychen: Das Dementi als Bildform in: Der dementierte Gegenstand. Artefaktskepsis der russischen Avantgarde zwischen Abstraktion und Dinglichkeit, hrsg. von Anke Hennig und Georg Witte (Wiener Slawistischer Almanach, Sonderband Nr. 71), Wien\/M\u00fcnchen 2008, S. 475-507. Inhalt: Einleitung 1. Death in America 2. Von der &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/michaelluethy.de\/scripts\/andy-warhol-disaster-diptychon\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eAndy Warhol Disaster-Diptychon\u201c <\/span>weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-474","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/comments?post=474"}],"version-history":[{"count":0,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/posts\/474\/revisions"}],"wp:attachment":[{"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/media?parent=474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/categories?post=474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michaelluethy.de\/scripts\/wp-json\/wp\/v2\/tags?post=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}